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(9657) 100.0%,
Location: San Francisco, California
Ships to: US,
Item: 126768986654
Restocking Fee:No
Return shipping will be paid by:Seller
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the “ADD TO CART” button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great Edison Diamond Discs, Pathe, Rex, Lyric, Operaphone and other Vertical format recordsClick this link for more great Edison, Pathe and Vertical Records in my other listings! Rare 1916 OPERAPHONE Vertical Record – PLAY ON ALL TALKING MACHINESVERTICAL HILL AND DALE RECORD with the later second style paper label.This is an abridged version of Victor Herbert’s Civil War tone picture American FantasiaIn a mixture of Liszt’s Les Preludes and the 1812 overture, the piece starts with a fanfare, Swanee River in a minor key, a distorted martial Dixie, then the Batle March of the Republic, and the Star Spangled banner as the apotheosis One of the rare Operaphone records with actual Opera RecordedOperaphone Record 1722. Victor Herbert American Fantasia Part 1/ Part 2by Military Band Orig Issue Operaphone Vertical-lateral Record 8″ 78 rpm. VERTICAL HILL AND DALE RECORDCONDITION: VG some greying,, plays EXCELLENT EXCEPTIONALLY QUIET. light fuzziness in opening fanfareAN EXCEPTIONAL COPYOperaphone Records was a record company in existence from 1915 until 1921, who released numerous phonograph records cut in the hill-and-dale and universal-cut methods.HistoryThe Operaphone Manufacturing Corporation of New York was established by John Fletcher, a professional musician and amateur inventor, in 1914 with George Thomas serving as company president.[1][2] A pressing plant in Long Island City was soon established.[2] Fletcher claimed in a trademark application that he had first used the name Operaphone beginning in March, 1915.[2] Advertising for Operaphone discs first occurred in January 1916, offering 8-inch discs for 35 cents.[1] 12 new discs (24 titles) were released each month.[1] Operaphone claimed their output of discs tripled between January and August 1916.[2] The price of the 10-inch records had been increased to $1.00 by July 1920.[1] The company was reorganized in 1918 as the Operaphone Co., Inc. Eight-inch records were discontinued, some 200 having been produced, and a standard-size 10-inch series of discs was announced, but the records remained vertically cut.[2] This series also failed to capture the public’s imagination (and wallets), and a final series of 10-inch records was introduced in July 1919. These discs used Emerson’s universal-cut system, which were intended to be playable phonographs using either the vertical or lateral reproducers.[2] These met with the most success, as they are the most commonly-found Operaphone products.[2] In March 1921 it was announced in the trade publication Talking Machine World that Operaphone would quit the record business.[1] The company was purchased by the Remington Phonograph Company, and it was reorganized as the Olympic Disc Record Company.[1] Subsequently, Harry Pace partnered with Fletcher to bring use of the Operaphone pressing facility to the new Black Swan Records.[3]Operaphone also pressed records for client labels, including All-Star, Crescent, Domestic, and Elginola.[2]In Canada, the discs were sold for CAN$0.50, distributed by Canadian Phonograph Company of Toronto.[2]FormatEarly, paint-filled etched-label 8″ Operaphone disc and tattered original sleeveMost Operaphone discs are vertically cut, but there is not consistency regarding the groove types of these discs. Some use the narrow-cut process similar to Edison Diamond Discs, while others use the sapphire-ball cut of Pathé Records[4] which is to be expected as some of Operaphone’s masters originated from that company.[5] The very earliest Operaphone discs were 7 inches in diameter, vertically cut, with a paint-filled, etched label.[2] This was a very shortly-lived series, as an 8-inch series of vertically-cut discs was quickly introduced.[2] It was claimed that these played as long as a twelve-inch discs.[1] The painted label was replaced by an etched, frosted label similar in appearance to the Edison Diamond Disc, but this labeling format was replaced in August 1916 by a standard paper label.[2] Ten-inch, vertically cut discs were released beginning in July 1918, and then a switch was made in July 1919 to the universal-cut format.[2]GenreOperaphone issued popular material of the day, including sentimental ballads, comic songs, and various instrumental selections, fitting with the motto “Music for Everybody” which appeared on the labels. A few items of moderate jazz interest by the Joseph Samuels outfit, under pseudonym, appear on Operaphone.[4] Fletcher claimed in 1918 that he planned to release “the entire symphonic repertoire”, but nothing ever became of these plans.[2] Despite the label’s name, no serious operatic recordings were released on Operaphone.[1] Operaphone attempted to increase record sales by placing highly disparate material on the opposite side of their records. The strategy backfired, and Operaphone ceased the practice within a few months.[2]All material was leased from Pathé, but there are known instances where material appeared on Operaphone as early as a month before the recording was issued on Pathé itself. There was no public acknowledgement of a tie between the two companies.[2] More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS – VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don’t give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.”EXCEPTIONALLY QUIET” is close to noiseless, like a vinyl pressing.”VERY QUIET” is an above average quiet record for a given pressing.”Quiet” is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don’t like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit’s eCommerce Solution
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